Question

High-School Confidential

Notes on Teen Movies

David DENBY

More info:

David Denby (b. 1943), who lives in New York City, is a staff writer and film critic for the New Yorker and the former film critic for New York. His writing has also appeared in the Atlantic, the New York Review of Books, and the New Republic. His first book, Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World (1996), was a finalist for the National Book Critics Circle Award. Denby is also the editor of Awake in the Dark: An Anthology of Film Criticism from 1915 to the Present (1977), American Sucker (2004), and Snark (2009). The essay that follows was originally published in the New Yorker in May 1999.

What is Denby's opinion of teen movies? Does he find anything redeeming in them?

Use quotes from the reading to support your ideas.

Answer 1

Denby's opinion on the teen movies is very similar to our ideas of life in the dream's world. He seems the adventures and life situations and put in on the movies .He thinks that When we watch the teen movies we have a smile of on our face and we remembered thw dream world and also things that was happened in the childhood.

Teen movies are made with goals to pull in the teen audience just as youngster and youthful grown-ups since it reflects sentiments, emotions, wants, adventure and adrenaline that individuals have in school and college times. Individuals constantly will in general remember their school and college life regardless of how old they are in and most youngster who isn't in teenage goes in the wild creative mind of how to carry on with their up and coming school/college life.

His redemption is to make money and rich to by which he can popular .
For Example His book American Sucker(2004) book shows "an unattractive blend of grandiose touchiness and difficult qualification," sniffed The Washington Post.

Critics have chortled at Denby's incident. Friends have would not talk to him. And this in an atmosphere that produces journals about an irregular sexual coexistence (Catherine Millet's "The Sexual Life of Catherine M."), an irreverence bound kiss-off to Hollywood (Joe Eszterhas' "Hollywood Animal") and the ascent and fall of a music industry official (Walter Yetnikoff's "Yelling at the Moon") .

He expounded on losing money. He admitted to eagerness, drenching in the money culture and being dazzled with Sam Waksal's midtown Manhattan home and the salons inside. He really needed to make a million.

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