In: Psychology
The Coronation painting of Napoleon by Jacques-Louis David
How would you describe the artist’s use of line in this work? Is it clear and realistic? Is it vague, blurry and imaginative? How does the use of line accomplish the artist’s intentions for the work or add to creative expression evident on the canvas?
Is the “form” of this work open, closed, open with contracting properties or closed with expanding properties?
Regarding “space,” what specific techniques does the artist use in this painting to cause your eyes to perceive depth? Name the technique and state where you think it occurs. Is it linear perspective, aerial perspective, use of shading and blur, foreshortening or use of proportion and scale among the subjects and setting?
When describing the “textures” in painting, we describe how the artist’s technique makes your eyes perceive the surface textures of the subjects and other objects in the setting. How might some of the textures in this work feel to the touch? State the subject or setting object and describe the texture represented or implied by the artist.
The cornation of napoleaon is painting completed in 1807 by Jacques Louis David.Aritist use line in this work in a amzing way .The composition is around in several axes and incorporate the rules of neoclassism.One axis is that which passes through cross and has a vertical orientation.a diagonal line runs from the pope to the empress .All eyes turned into napoleaon who is center of composition.
Yes this picture is clear and realistic . Because this painting fairely accurate representation of History.jacques Louis David was audience on a Historical where he captured the painting.on december 2, 1804, nepoleaon Bonpart 35 year old , crowned himself during the five year ceremony as the first enperor of France .
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The painting which is also a group potariat of the imperial family , the court , the clergy dresses in ceremonial costume.Airtist use line accomplishment in such way that the intention of creative expression florished.he was presented himself in painting as evidence and once back his studio potrayed the colourful congregation of realism, combining accuracy with aritistry met the challenge of producing monumental work that would glorify the event.