Question

how was zora neale hurston's parents

Answer 1

Zora Neale Hurston was born on January 7, 1903, in Eatonville, Florida, to Reverend John and Lucy Hurston. Zora's mother died when she was nine years old, and her father soon remarried. After her relationship with her stepmother rapidly declined, her father sent her to school in Jacksonville, Florida. Hurston greatly missed her mother and the warm, loving family atmosphere that she had grown up in. Hurston found herself being passed from relative to relative, while working as a nanny and a housekeeper.

When Zora was in her early teens she became a wardrobe girl in a Gilbert and Sullivan repertory company (a theatre company) touring the South. Eighteen months later, with the help of a former employer, she enrolled in Morgan Academy in Baltimore, Maryland, in 1917. She graduated a year later and went to Howard University, where she completed a year and a half of course work between 1919 and 1924. She secured a scholarship which allowed her to transfer to Barnard College, where she earned her degree in 1928. From 1928 to 1932 she studied anthropology (the study of human culture) and folklore at Columbia University under Franz Boas, a well-known anthropologist. In 1936 she was awarded a Guggenheim Fellowship for travelling and collecting folklore in Haiti and the British West Indies.

Hurston was the fifth of eight children of John Hurston and Lucy Ann Hurston . All of her four grandparents had been born into slavery. Her father was a Baptist preacher and sharecropper, who later became a carpenter, and her mother was a school teacher. She was born in Notasulga, Alabama, on January 7, 1891, where her father grew up and her paternal grandfather was the preacher of a Baptist church

When she was three, her family moved to Eatonville, Florida. In 1887, it was one of the first all-black towns incorporated in the United States. Hurston said that Eatonville was "home" to her, as she was so young when she moved there. Sometimes she claimed it as her birthplace. A few years later, her father was elected as mayor of the town in 1897. In 1902 he was called to serve as minister of its largest church, Macedonia Missionary Baptist.

As an adult, Hurston often used Eatonville as a setting in her stories it was a place where African Americans could live as they desired, independent of white society. In 1901, some northern schoolteachers had visited Eatonville and given Hurston a number of books that opened her mind to literature. She later described this personal literary awakening as a kind of "birth".Hurston lived for the rest of her childhood in Eatonville and described the experience of growing up there in her 1928 essay, "How It Feels To Be Colored Me".

Hurston's mother died in 1904, and her father subsequently married Mattie Moge in 1905.This was considered scandalous, as it was rumored that he had had sexual relations with Moge before his first wife's death.Hurston's father and stepmother sent her to a Baptist boarding school in Jacksonville, Florida. They eventually stopped paying her tuition and she was dismissed.

Work and study

In 1916, Hurston was employed as a maid by the lead singer of the Gilbert & Sullivan theatrical company.

In 1917, she resumed her formal education, attending Morgan College, the high school division of Morgan State University, a historically black college in Baltimore, Maryland. At this time, apparently to qualify for a free high-school education, the 26-year-old Hurston began claiming 1901 as her year of birth. She graduated from the high school of Morgan State University in 1918.

College and slightly after

In 1918, Hurston began her studies at Howard University, a historically black college in Washington, DC. She was one of the earliest initiates of Zeta Phi Beta sorority, founded by and for black women, and co-founded The Hilltop, the university's student newspaper.She took courses in Spanish, English, Greek, and public speaking and earned an associate degree in 1920. In 1921, she wrote a short story, "John Redding Goes to Sea", which qualified her to become a member of Alain Locke's literary club, The Stylus.

Hurston left Howard in 1924, and in 1925 was offered a scholarship by Barnard trustee Annie Nathan Meyer to Barnard College of Columbia University, a women's college, where she was the sole black student.While she was at Barnard, she conducted ethnographic research with noted anthropologist Franz Boas of Columbia University, and later studied with him as a graduate student. She also worked with Ruth Benedict and fellow anthropology student Margaret Mead.Hurston received her B.A. in anthropology in 1928, when she was

Hurston had met Charlotte Osgood Mason, a philanthropist and literary patron, who became interested in her work and career. She had supported other African-American authors, such as Langston Hughes and Alain Locke, who had recommended Hurston to her. But she also tried to direct their work. Mason supported Hurston's travel to the South for research from 1927 to 1932, with a stipend of $200 per month. In return, she wanted Hurston to give her all the material she collected about Negro music, folklore, literature, hoodoo, and other forms of culture. At the same time, Hurston had to try to satisfy Boas as her academic adviser, who was a cultural relativist and wanted to overturn ideas ranking cultures in a hierarchy of values.

After graduating from Barnard, Hurston studied for two years as a graduate student in anthropology at Columbia University, working further with Boas during this period. Living in Harlem in the 1920s, Hurston had befriended poets Langston Hughes and Countee Cullen, among several other writers. Her apartment, according to some accounts, was a popular spot for social gatherings. Around this time, Hurston also had a few early literary successes, including placing in short-story and playwriting contests in Opportunity: A Journal of Negro Life, published by the National Urban League.

Marriages

In 1927, Hurston married Herbert Sheen, a jazz musician and a former teacher at Howard; he later became a physician. Their marriage ended in 1931. In 1935, Hurston was involved with Percy Punter, a graduate student at Columbia University. He inspired the character of Tea Cake in Their Eyes Were Watching God.

In 1939, while Hurston was working for the WPA in Florida, she married Albert Price. The marriage ended after few months, but they did not divorce until 1943. The following year, Hurston married James Howell Pitts of Cleveland. That marriage, too, lasted less than a year.

Hurston twice lived in a cottage in Eau Gallie, Florida: in 1929 and again in 1951

Patron support

When foundation grants ended during the Great Depression, Hurston and her friend Langston Hughes both relied on the patronage of philanthropist Charlotte Osgood Mason, a white literary patron.During the 1930s, Hurston was a resident of Westfield, New Jersey, a suburb of New York, where her friend Hughes was among her neighbors.

Academic institutions

In 1934, Hurston established a school of dramatic arts "based on pure Negro expression" at Bethune-Cookman University (at the time, Bethune-Cookman College), a historically black college in Daytona Beach, Florida, In 1956 Hurston received the Bethune-Cookman College Award for Education and Human Relations in recognition of her achievements. The English Department at Bethune-Cookman College remains dedicated to preserving her cultural legacy.

In later life, in addition to continuing her literary career, Hurston served on the faculty of North Carolina College for Negroes (now North Carolina Central University) in Durham.