CASE STUDY: NETFLIX USES TECHNOLOGY TO CHANGE HOW WE
WATCH VIDEOS (Please refer to your textbook Page
100-101)
When Netflix was founded in 1997 in the US, the movie rental
giant Blockbuster had thousands of stores from coast to coast,
filled to the rafters with video cassettes ready for immediate
rental to customers. Netflix had a different vision from this
well-established, well-financed competitor. Looking at the recent
development of DVD technology, Netflix saw an opportunity to change
the way consumers rent movies. The entrepreneurial company built
its marketing strategy around the convenience and low cost of
renting DVDs by mail, for one low monthly subscription fee.
Instead of going to a local store to
onto the Netflix website to browse the DVD offerings and click
to rent. Within a day or two, the DVD would arrive in the
customer’s mailbox, complete with a self- mailer to return the DVD.
And, unlike any other movie rental service, Netflix customers were
invited to rate each movie via the Netflix website, after which
they’d see recommendations tailored to their individual
interests.
Fast-forward to the 21st century. Video cassettes are all but
obsolete, and Blockbuster, once the dominant brand in movie
rentals, is closing down in the US as consumer demand moves to
digital distribution for entertainment. In Australia both
Blockbuster and Video Ezy still have a brand presence, but their
future is uncertain. Both brands have been prompted to reassess
their distribution channels. You may notice more DVD rental
‘kiosks’ such as ‘Video Ezy Express’ popping up in convenient
locations including outside supermarkets and shopping complexes, in
a bid to improve brand reach and accessibility. DVD rental kiosks,
like online services, are accessible around the clock and reduce
many store costs including wages. In contrast, by completely
eliminating the need for brick-and-mortar stores or kiosks, Netflix
has minimised its costs and extended its reach to any place that
has postal service and Internet access. The company still rents
DVDs by mail, but it has also taken advantage of changes in
technology to add video streaming on demand. Now customers can
stream movies and television programs to computers, television
sets, videogame consoles, DVD players, Smartphones and other
web-enabled devices. One advantage to the company is that streaming
a movie costs Netflix less per customer than paying the postage to
deliver and return a DVD to that customer.
Netflix made technology a core competency from the very
beginning. Because the business has always been web-based, it can
electronically monitor customer activity and analyse everything
that customers view or click on. With this data, it can fine-tune
the website, determine which movies are most popular among which
segments, prepare for peak periods of online activity, and refine
the recommendations it makes based on each
individual’s viewing history and interests. The company also
uses its technical know- how to be sure the website looks good on
any size screen, from a tiny Smartphone to a large-screen
television.
A few years ago, planning for a significant rise in demand for
streaming entertainment, Netflix decided against investing in
expanded systems for this purpose. Instead, it arranged for Amazon
Web Services to provide the networking power for streaming. Now, on
a typical night in the US, Netflix streaming occupies up to 20,000
servers in Amazon data centres. Demand is so strong, in fact, that
Netflix streaming accounts for about one- third of all Internet
traffic to North American homes during the evening. The Australian
market, however, may pose technological hurdles, as the National
Broadband Network is still being rolled out, meaning that
accessibility may not be as straightforward as it is in the
US.
Although Blockbuster and Video Ezy are no longer a competitive
threat in their traditional form, Netflix does face competition
from Amazon’s own video streaming service ‘Amazon Prime Video’,
which will be heading towards Australia and New Zealand’s shores in
2017. Other direct competitors include well-established Hulu,
YouTube, Nine Entertainment and Fairfax media’s joint-venture STAN,
and Foxtel’s movie streaming service Presto. It also competes with
other entertainment
2
Copyright 2018 Cengage Learning. MKT1100 Human Resources
Management T1-2020 Dr Chowdhury Hossan Ozford Institute of Higher
Education
providers, including cable, satellite and broadcast
television. Foxtel, for example, has dramatically reduced its basic
cable packages in an effort to retain their share of the market in
the face of increasing competition from on-demand services. To
differentiate itself, Netflix has commissioned exclusive
programming such as House of Cards, Arrested Development, and
Orange is the New Black. The cost to produce such programs runs to
hundreds of millions of dollars. Yet Netflix plans to continue
pouring money into exclusive content because of the payoff in
positioning, positive publicity and customer retention.
In addition, the way Netflix releases its exclusive
programming reflects its in-depth knowledge of customer behaviour.
The company found, through data analysis, that customers often
indulge in ‘binge watching’ for a series they like, viewing
episodes one after another in a short time. Based on this research,
Netflix launched all 13 episodes of the inaugural season of House
of Cards at one time, an industry first. Executives gathered at
headquarters to monitor the introduction, cheering as thousands of
customers streamed episode after episode. By the end of the first
weekend, many customers had watched the entire series and shared
their excitement via social media, encouraging others to subscribe
and watch. When Netflix won multiple Emmy Awards for House of Cards
later that year, it was another first – the first time any Internet
company had been honoured for the quality of its original
programming.
One key measure of Netflix’s growth is change in the number of
monthly subscribers. In 2015 Netflix had about 70 million
subscribers worldwide, of which 26 million are located outside of
the US. Netflix estimates that by 2020 there will be over 100
million non-US subscribers. Despite the brand only launching in
Australia in March 2015, it already has close to two million
subscribers. Their closest direct competitor STAN has a little over
300,000 subscribers. Keys to Netflix’s successful launch include
offering free trials and access to stripped-back free versions, as
well as continued investment in original programming. It appears
that streaming is the new broadcasting and ‘on-demand’ spells the
demise of scheduled entertainment.51
Your Task:
Part 1: Prepare a case study report on the situation outlined
in the case study in your textbook Page (100-101). If the case does
not have specific details you feel are relevant, you can make
assumptions as long as these are clearly identified at the
beginning of your case study.
In relation to the case study, you need to address all
questions below:
1. When Netflix originally entered the movie rental business,
was it competing on the basis of a first-mover advantage or a
late-mover advantage? Did it rely on the same advantage when it
began streaming original content? ( introduction and
conclusion)
2. How does Netflix use its marketing mix to create a
sustainable competitive advantage? (introduction and
conclusion)
3. What performance standards do you think Netflix uses to
evaluate the outcome of its
marketing strategies?( introduction and conclusion)