Question

How has fictional television dealt with contemporary political, social and cultural issues?

Please include a discussion on M.A.S.H in your writing.

Answer 1

Contrasted with the dull substance of the beginning of TV, the present writing for programs is frequently intense and provocative, with society the better for many watchers having encountered the agony of union with a man who is fiercely damaging (The Burning Bed), the heartbreaking outcomes of inbreeding (Something About Amelia), or the expected demolition of atomic war (The Day After).

With the approach of ensemble shows like Hill Street Blues and St. Elsewhere, proceeding with sensational arrangement started to fuse increasingly coarse authenticity into plots and characters. On such projects watchers see the unpredictability of human misery and the intricacy of qualities choices, just as the complexities of connections among characters whose qualities and foundations vary — here and there even conflict.

The groundbreaking, dim satire about the Korean War (1950–1953) ran for a long time. The show was an incredible standard in light of the fact that in spite of the fact that it portrayed occasions in mid 1950s Korea, M*A*S*H examined issues common in 1970s and '80s America when it was being made.

The arrangement's strong and applicable story lines investigated such contemporary worries as conflict over the Vietnam War, the loss of trust in the administration following the Watergate embarrassment, the changing jobs of ladies with the prospering women's activist development, and the possible zeitgeist move away from political dissent and vision toward singular satisfaction.